The Experimental Year Project

The Manifesto: ha! ha! big word- you didn't know I knew such a great word, did you?!


Inspiration: Richard Mabey’s book ‘Nature Cure’...so much more than a journey through his mind. It is an interesting, thought-provoking look at where he fits in the natural order, but even that doesn’t do justice to it.


But it has got me thinking, a plan or project is slowly forming in my poor darkly abused mind:

What if (I love ‘what if’ scenarios!)…what if I could live as close to the Land as possible for one whole year?
What if I could be a part of the circadian rhythm of the seasons instead of floating by them, ignoring them, or complaining bitterly about inconveniences the season brings?
What if I was able to connect with what is happening in the countryside around me rather than living in but apart from it?
What if I took a step backwards and delved into the roots, customs, ways and means of living in this place, just this one place, for a year?

I want to be well, or as the Book of Common Prayer says, ‘to renew a right spirit within me’, which is a beautiful and succinct way of expressing the desire to be at peace with oneself and the wider surroundings.


I want to live so closely with the Land, the Countryside, Nature (??) that I experience the rhythm of the seasons and can see, smell, touch the changes which go with the seasons. I have an idea that this disconnection, which is part of modern living, is at the root of some of our collective malaise.

I want to grow more of what we eat, and to forage what can’t be grown due to the short seasons and stoney soil. I want to learn more about the growing habits of edible and medicinal plants too, and any others which would have been common in the past…preferably without poisoning either myself or my family!

I want to find out more about the country ways, how they evolved and what needs to be kept and remembered against the future- and how I’ll do that I don’t know.

I want to use the camera to keep a record of what there is to see; to see beauty in the everyday and the mundane, not for the sake of ‘art’ but simply because it’s there and I can.

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